A fatal flaw makes a memorable Joan Aiken heroine…

…especially for the hero in this case – this girl is unforgettable!

 Juliana Paget, heroine of the first of Joan Aiken’s three Paget Family novels might well be just another Regency Miss with the usual romantic hopes of meeting the man of her dreams. But for Juliana her intended beau must of course resemble King Charles the First, whose looks and character she has come to admire as the heroic subject of the Biography she has been assisting her father to write.

(And aside from this undoubted handicap,  romance for Juliana will also be hindered, as we discover,  by another dreadful fault, or maybe two…)

    A perfect heroine, like a fairytale princess, is a rather predictable copybook case, sure to meet her prince, let alone obviously recognise him at first sight. Not so a Joan Aiken heroine – she is likely to have ideas of her own – or in this case ones she has gleaned from reading too many books, like Jane Austen’s Catherine Morland in Northanger Abbey – and these ideas will certainly lead her into all kinds of trouble.

    What if her romantic expectations deceive her and she doesn’t know who’s friend or foe?

    When our heroine, no shrinking violet,  has rescued a stranger fleeing from French Revolutionaries and is then being rescued right back by him, and borne away to safety in a hot air balloon, he naturally enough tries to clasp her in his arms.

    But while she has been helpfully mending one of the tapestries he is carrying over the channel to the Prince Regent at Brighton – for naturally ‘she carried a housewife full of needles and thread in her reticule and hated to be idle’  – she has inadvertently mislaid a spare needle…

‘ He let out a most appalling oath, fortunately in Dutch.’

“Oh what is it?” cried Juliana, terrified. “Is something broken?”

“No,” he growled. “You have stuck your verdommte bodkin into the side of the basket, and it has run very nearly right through my thumb!”

“Oh I am sorry!” she exclaimed repentantly. “It is a dreadful fault that I have, I know! I am always sticking my needle into the arms of chairs…Papa has scolded me for it, times out of mind.”

And does she learn from her mistake?  Of course not. Joan Aiken is able to use this as a handy plot twist a couple more times, so that when the proposal scene finally arrives, and we are obviously expecting the hero to go down on one knee – does he?

Absolutely not, as he understandably says:

” It’s odds but you’ve left a needle sticking somewhere in that grass!”

And is he the one who looks exactly like King Charles the First?

You’ll have to read it and find out…!

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The Smile of the Stranger is the first a series of Joan Aiken historical Romances

New Paperback edition out now from Pan Macmillan

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Read more about Joan Aiken’s rip roaring period novels here:

https://www.joanaiken.com/book_category/period-novels/

Joan Aiken’s Felix & Jane Austen’s Susan – Unlikely Travelling Companions?

Tales from different times… Joan Aiken’s hero Felix Brooke, and Jane Austen’s ‘Susan’ –

or should that be Catherine Morland..?

Joan Aiken’s passion for history often led her to wonder how events might have turned out differently?  What if, for instance,  Jane Austen’s early novel, originally entitled ‘Susan’ when she sold it to a publisher in 1803, and which then languished unpublished until she furiously bought it back for £10 thirteen years later, had in fact come out, maybe without the knowledge of its author, and had been a treasured possession, carried in the pocket of a young English nobleman when he ran away to join the Peninsular wars in Spain at the beginning of the 19th century.

The young man falls in love, and marries an aristocratic Spanish girl who dies having his baby, and he watches over the boy, disguised as a groom, until his own death. He leaves a letter, and his treasured book, to the boy, Felix Brooke,  with a message telling him to seek out his long lost family in the city of Bath in England, where the action of Austen’s novel had taken place.  For Joan Aiken imagined that the book was actually Jane Austen’s early novel, ‘Northanger Abbey’  written in the full enthusiasm and confidence of youth, and  a delightful parody of all the Gothic romances so popular at the time.

Austen’s novel is a description of an innocent abroad (although in her case it is a first visit to a big city) a heroine with a head full of fantasy from reading too many novels,  who finds herself alone in a dangerous society, struggling to make sense of the behaviour of unscrupulous villains – or apparently solicitous friends – with nothing but the world of fiction to guide her.  This is much the same situation in which Joan Aiken’s Spanish orphan, young Felix Brooke finds himself, but in a truly wild and Gothic landscape with terrifying brigands and murderers, mountain tribesmen looking for a human sacrifice, or even pirates who specialise in the kidnap of children…and he only has the assistance of Austen’s novel to sustain and comfort him.

In Joan Aiken’s Go Saddle the Sea, Felix tells us about the novel as he is recounting his own story:

“The book, Susan, was an odd tale about a young lady and her quest for a husband; to tell truth, I wondered what my father had seen in it, that he had even carried it with him into battle; I found it rather dull, but since it had been my father’s I kept it carefully (his bloodstains were on the cover).”

Later in his adventures, having escaped various perils by the skin of his teeth and the use of his not inconsiderable wits, Felix has time to look into the book again, and reconsiders:

  “I had opened it at the place where Miss Susan, going to stay with her great friends in their abbey-residence, is terrified at night by a fearful storm and the discovery of a paper,hid in a closet in her bedroom, which she takes to be the confession of some wicked deed of blood – only to find, next day, that the mysterious paper is naught but a washing bill!  For the first time, this struck me as very comical; yet, reading it through again, I could see that the writer had represented the poor young lady’s terrors very skilfully; just such a nightmarish terror had I felt myself among those unchancy people in that heathen village – and yet for all I knew, my fears were equally foolish and unfounded!  I began to see that this was not such a simple tale as I had hitherto supposed, but must be attended to carefully; and I gave my father credit for better judgement than I had at first…wondering what kind of man my father had been..and hoping that some person in England would be able to tell me more about him.”

In an article for the Jane Austen Society, Joan Aiken describes with relish the content of  Mrs. Radcliffe’s bestseller, The Mysteries of Udolpho, which Austen had gleefully satirised:

“If we take a look at the works of Mrs. Radcliffe, we can easily see what tempted the youthful Jane Austen to poke fun at them…[they were] enormous historical canvases splashed over with forests and beetling fortresses and dark crags in the Appennines.  Mrs. Radcliffe went in for immense casts of characters on a positively Shakespearian scale (she was in fact much influenced by Shakespeare for whom she had great admiration); she had stabbings and shootings, suicides and assassinations, immensely complicated family relationships, long-lost relatives in every possible connection, suggestions of incest, mysterious resemblances, and, besides all this, a large number of startling, apparently supernatural occurrences..”

From this we can see that these earlier writers had an equally powerful influence on Joan Aiken’s own work, and by setting her novel,  Go Saddle the Sea in a rip roaring Gothic world of her own imagination in 19th century Spain, and with a nod to Austen’s own parody, she could have the best of all worlds!

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Go Saddle the Sea is the first of the three ‘Felix’ Novels in EBook editions in the UK

For more details visit the Joan Aiken page at Random House

or visit the Felix pages at The Wonderful World of Joan Aiken

*****

Joan Aiken’s Gothic imagination is wonderfully matched in this trilogy

by the illustrations of Pat Marriott

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