A Japanese Joan Aiken Picture Post

jap-whaler

A Pop up Nantucket Whaler from Japan.

Joan Aiken has inspired, and herself created, some beautiful art work, often with Japanese  and also sea-faring connections.

This exquisite cut out card came from a devoted Joan Aiken fan, Kayoko, and arrived fittingly on Valentine’s day. A new edition of the Dido Twite adventure Night Birds on Nantucket has recently been published in Japan – a labour of love for the translator who had to to convey Dido’s cockney slang, nineteenth century whaling jargon, and the little island’s old fashioned Puritan speech patterns…

Joan Aiken’s books have flourished in Japan and inspired some beautiful editions:

jap

Another translation, of Cold Shoulder Road, a later book in the Wolves Chronicles featuring Dido’s younger sister Is, was stunningly illustrated by graphic artist Miki Yamamoto. Here in a dramatic sea scene she captures the moment when a Tsunami rolls into town:

yamamoto

Joan’s early memories of her father, poet Conrad Aiken included being carried on his shoulders to look at, and listen to his stories about, the many Japanese prints on the walls of their old home in Rye; a favourite was known as ‘The twenty-seven drunken poets.’ Here are twelve of them:

drunken-poets

Conrad also supplied her with some very fascinating picture books, which inspired some of her own drawings – here’s an early Christmas card –  it could almost be a Night Bird?

books-bird

Rye, an old sea port also inspired an illustrated poem she produced for her father:

rye-ships

Although the sea and sailing ships often feature in Joan Aiken’s books, one story which was particularly near to her heart, was set in the countryside close to her childhood home.

The Cuckoo Tree, another of the Wolves Chronicles, in which Dido Twite returns from her various voyages at sea, has inspired unknown numbers of Japanese followers to visit this part of the Sussex countryside and try and find the miniature tree that is the setting of the story. That was how I came to meet Kayoko, who I took there, and who later sent the beautiful whaling card. Near the village where Joan grew up, it was a favourite private haunt of her childhood, a place to sit and draw or write, and perhaps appeals to these particular fans  because Joan herself was so diminutive – there is just room for one small person:

writing cuckoo tree

Joan Aiken would probably be astonished to know what devotion, and artistic creation her writing still inspires…long may it continue!

Happy Valentine’s Day to all, and many thanks for the lovely letters:

japk

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Find out about all the Wolves Chronicles on the Joan Aiken website

Read more about visitors to the Cuckoo Tree here

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Joan Aiken’s Family Tree

writing cuckoo tree

The Cuckoo Tree – a refuge for Joan, and an inspiration

This little tree, small enough for one or two people to sit in, and in Joan’s childhood, still with a wonderful view over the Downs to the village of Sutton where she grew up, has now thanks to the book she wrote about it become famous worldwide. The Cuckoo Tree in which Dido Twite finally returns to England after many adventures abroad, takes place in Sussex, Joan’s own county, and particularly in the Downs around the village of Sutton where she grew up, and whose hills and woods she had mapped as a child, until the names of these local landmarks were all utterly familiar to her, but also imbued with magic.

Cuckoo Map endpaper

Dogkennel Cottages, Tegleaze Manor, even the Fighting Cocks Inn, an old name for the house where she lived years later in Petworth, were to become just as well known to readers all over the world, especially when this book was translated into Japanese, and they have since become places of pilgrimage for some very devoted fans.

Local villagers have even taken on the task of directing Japanese visitors  or escorting them up on to Barlavington Down, and have written about it for their Parish news:

Cuckoo Page

Only a few weeks ago, I was contacted by a Japanese Aiken fan, and feeling a need to go back there, especially at primrose and bluebell time, and visit it myself, I agreed to meet her in Petworth and take her and her sister up the Downs. They had done an impressive amount of research, and were armed with maps, and brought with them their own copy of the book in Japanese to read to the tree – a wonderful moment which I hope Joan was present to witness.

Kayoko & Cuckoo Tree

For children, including myself,  there was always something especially magical about this tiny tree, and the idea that the Cuckoo, famous for leaving her eggs in everyone else’s nests, did in fact have a secret home of her own.

In Joan’s childhood it was a refuge, somewhere to hide and read or write, a private special place to go. In her book, The Cuckoo Tree written in the year of her beloved mother Jessie’s death, it becomes a refuge for a lost girl, like a comfort blanket or ‘transitional object’ as psychotherapists call this type of attachment, which Joan Aiken shows as taking the place of the usual mother-child bond.

Dido CuckooTree

In the US edition of the book, Susan Obrant captures the tree exactly from pictures sent by Joan, and shows Dido in her midshipman’s outfit discovering the secret hideaway of of the orphaned, kidnapped Cris, singing to her imaginary friend ‘Aswell’ who turns out in reality to be her long-lost twin.

At the end of the book, having helped everyone else to find their long-lost relatives, but having failed to find the friend she herself has been waiting to meet again for so many years, Dido returns sadly to the tree, and wonders about the forgotten ‘Aswell’.

Cuckoo last Page1

The book was written in 1970, and in fact does suggest that the two friends Dido and Simon are about to meet again, as we learn that Simon is even now walking towards her over the Downs; but faithful followers were going to have to wait over fifteen years for the next book in the sequence, Dido and Pa when Joan Aiken would at last bring them together again…

Cuckoo last Page2

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To see the tree itself, and Joan sitting in it as she is in the photo at the top of the page go to the Website and see her in the film.

Continue reading

Joan Aiken’s Haunting Garden…

Serial cover 2

Do you remember, as a child, coming home to find that your room has been spring cleaned and much loved if dusty treasures tossed in the bin, only to hear:

    “Oh you didn’t want that did you? I thought you’d finished with it.”

This was clearly  a memory from Joan Aiken’s own childhood, and she turned it into one of the most haunting stories she ever wrote – ‘The Serial Garden’.

In this memorable story, one of the many she wrote about her imaginary Armitage Family,  Mark discovers that a cut out garden from the back of a series of cereal packets comes to life when he whistles or sings a certain tune. He then learns that the garden comes from an old book of pictures belonging to the Princesss of Saxe Hoffen-Poffen und Hamster, and that she herself is imprisoned in the garden – thanks to a bit of parlour magic – still waiting to be rescued by her long lost love,  the Court Kapellmeister and music teacher who her father forbade her to marry.

As the haughty princess explains:

“All princesses were taught a little magic, not so much as to be vulgar, just enough to get out of social difficulties.”

– which was just what she used it for, concealing herself in the book, so that she could run away with her suitor.

Serial PicOriginal illustration by Pat Marriott

But the maid who was supposed to give the book to her beloved Kapellmeister never delivered it.  Only when the pictures were reproduced on the back of a Brekkfast Brikks packet many years later,  could the garden be re-created, and the tune which had unwittingly been passed on to Mark by his own music teacher is the very one to bring it to life – is there finally a chance of happiness for the long estranged lovers?

But while Mark is out, urgently fetching his music teacher, Mr Johansen, his mother, Mrs Armitage has been spring cleaning….

The character of Mrs Armitage was based on Joan’s own mother,  Jessie Armstrong, married after her divorce from poet Conrad Aiken, to Joan’s second writer father, Martin Armstrong.  When Joan was young Armstrong was famous for his own children’s stories about a rather suburban 1940’s family in thrall to their various talking pets, but her  own Armitage stories which began as a tongue in cheek parody of his, became a lifelong passion.

This particular story, originally published in Jessie’s lifetime, in a collection of fantasy stories called A Small Pinch of Weather was even dedicated to her mother, but in later years Joan came to be haunted by the sad ending of the story; perhaps she felt it was  unjust to her mother’s memory, she certainly received many letters from readers protesting against its rather shocking ending.   Joan wanted a chance to make amends, and although she couldn’t undo the dreadful ending of the first story, she could perhaps give Mark and poor Mr Johansen another chance to find the vanished garden and the lost princess.

Just before she  died Joan  was preparing a collection of all the Armitage Family stories she had written over the years, including four new ones  and a sequel to ‘The Serial Garden’ story, giving the chance of a hopeful solution to the estranged lovers.  She planned that the book would be published under the title of The Serial Garden to alert anyone still waiting for their long promised happy ending, that it might finally be on the way.

So if you missed it, and are one of the people still haunted by that unforgivable ending, all is not entirely lost – the book has come out and perhaps hope can spring again…and you can enjoy the entire collection of these witty and wonderful stories!

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Visit the Joan Aiken Website to read  about the writing of  The Serial Garden

Follow the link to the introduction by Lizza Aiken to the American edition telling more about Joan’s childhood in the village that forms the magical background to the Armitage Family stories

Find NEW UK Edition here with cover and delightful illustrations by Peter Bailey

 published by Virago Children’s Classics

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The Source of Inspiration

Gorey Cuckoo Tree

This original Edward Gorey sketch for the cover of Joan Aiken’s The Cuckoo Tree (which sadly I don’t own..!) was in fact inspired by Pat Marriott the artist who originally illustrated Aiken’s ‘Wolves’ series, and who had been introduced to her in the 1950’s by publisher Jonathan Cape. The artists’ styles do have a certain similarity, and often Pat’s illustrations have been mistakenly attributed to Gorey, or even to another Edward – Ardizzone who was also popular in the 1950’s and 60’s. Coming from the pre- internet generations, Pat never had a website to immortalise her work, and although he original illustrations are still included in the UK editions of the books, thanks to the current classic Red Fox paperbacks,  I would like to make sure Pat Marriott’s timeless images are remembered!

Here below is Pat’s drawing, much more closely related to Aiken’s story, and which clearly inspired the later picture above; while hers shows characters one recognises from the story,  Gorey’s has a stylised small girl in a frock – a frock???  Dido Twite is usually dressed in her midshipman’s garb, and only willingly wore a frock once in her life, when dear Sophie made her a new blue merino to wear to the fair…   But Gorey does bring to life the overhanging threatening trees as seen by Dido,  and they echo her own eavesdropping on the evil plotters while under the effects of the hallucinogenic Joobie nuts – very much  as Marriott first imagined them.  It is certainly fascinating to have the opportunity to compare the two.

Cuckoo Trees

The partnership between Joan Aiken and Pat Marriott lasted for forty years, during which time Joan Aiken wrote eight of the twelve ‘Wolves’ chronicles,  for which Pat’s illustrations received reviews as positive as those for the books themselves, as did her work and covers for all of Joan’s classic collections of fantasy stories, also published by Jonathan Cape, in a handsome set of black white and gold editions .

Collections

This partnership was so inspired it deserves to be more widely celebrated, like that between Quentin Blake and Roald Dahl, whose depictions of characters like Matilda or the BFG seem to belong to the writer and illustrator inseparably.

  Joan Aiken writes about Pat, and other fruitful illustrator partnerships here.

There is however, one original piece of inspiration that is even less known.  When Joan Aiken sent off her first stories in the early 1950’s, she also included illustrations of her own –  as used to expressing herself in chalk and pastel as in words, she had no qualms about including her own pictures. The Editor’s reply was friendly but firm: ” Thank you for including your own illustrations to the stories.  I am afraid I cannot use them as they are – for one thing it would be difficult to reproduce them adequately – drawn as they are in blue ink – but they will be invaluable as a guide to the artist we eventually select.”

Singeing JA

Joan Aiken’s drawing of the unicorn and raven from an early Armitage story

Joan Aiken’s response when she saw Pat Marriott’s drawings and cover design of unicorns for All You’ve Ever Wanted – that first collection,  was:

“They are delightful, full of character, and exactly the sort of thing I was hoping for…I should like to congratulate the artist.”  Her only reservation about one drawing –  “The governess is a little too sweet and amiable…”   A premonition of evil governesses to come, perhaps?

Their friendship was to last a lifetime.

All You've Ever Wanted

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See the full collection of Edward Gorey covers for the Wolves Series here.

And some of Joan Aiken’s own work.