Joan Aiken’s Felix & Jane Austen’s Susan – Unlikely Travelling Companions?

felix-susan

Tales from different times… Joan Aiken’s hero Felix Brooke, and Jane Austen’s ‘Susan’ – or should that be Catherine Morland..?

Joan Aiken’s passion for history often led her to wonder what if things had turned out differently?  What if, for instance,  Jane Austen’s early novel, originally entitled ‘Susan’ when she sold it to a publisher in 1803, and which then languished unpublished until she furiously bought it back for £10 thirteen years later, had in fact come out, maybe without the knowledge of its author, and had been a treasured possession, carried in the pocket of a young English nobleman when he ran away to join the Peninsular wars in Spain at the beginning of the 19th century.

The young man falls in love, and marries an aristocratic Spanish girl who dies having his baby, and he watches over the boy, disguised as a groom until his own death. He leaves a letter, and his treasured book, to the boy, Felix Brooke,  with a message telling him to seek out his long lost family in the city of Bath in England, where the action of Austen’s novel had taken place.  For Joan Aiken imagined that the book was actually Jane Austen’s early novel, ‘Northanger Abbey’  written in the full enthusiasm and confidence of youth, and  a delightful parody of all the Gothic romances so popular at the time.

Austen’s novel is a description of an innocent abroad (although in her case it is a first visit to a big city) a heroine with a head full of fantasy from reading too many novels,  who finds herself alone in a dangerous society, struggling to make sense of the behaviour of unscrupulous villains – or apparently solicitous friends – with nothing but the world of fiction to guide her.  This is much the same situation in which Joan Aiken’s Spanish orphan, young Felix Brooke finds himself, but in a truly wild and Gothic landscape with terrifying brigands and murderers, mountain tribesmen looking for a human sacrifice, or even pirates who specialise in the kidnap of children…and he only has the assistance of Austen’s novel to sustain and comfort him.

In Joan Aiken’s Go Saddle the Sea Felix tells us about it as he is recounting his story:

“The book, Susan, was an odd tale about a young lady and her quest for a husband; to tell truth, I wondered what my father had seen in it, that he had even carried it with him into battle; I found it rather dull, but since it had been my father’s I kept it carefully (his bloodstains were on the cover).”

Later in his adventures, having escaped various perils by the skin of his teeth and the use of his not inconsiderable wits, Felix has time to look into the book again, and reconsiders:

  “I had opened it at the place where Miss Susan, going to stay with her great friends in their abbey-residence, is terrified at night by a fearful storm and the discovery of a paper,hid in a closet in her bedroom, which she takes to be the confession of some wicked deed of blood – only to find, next day, that the mysterious paper is naught but a washing bill!  For the first time, this struck me as very comical; yet, reading it through again, I could see that the writer had represented the poor young lady’s terrors very skilfully; just such a nightmarish terror had I felt myself among those unchancy people in that heathen village – and yet for all I knew, my fears were equally foolish and unfounded!  I began to see that this was not such a simple tale as I had hitherto supposed, but must be attended to carefully; and I gave my father credit for better judgement than I had at first…wondering what kind of man my father had been..and hoping that some person in England would be able to tell me more about him.”

In an article for the Jane Austen Society, Joan Aiken describes with relish the content of  Mrs. Radcliffe’s bestseller, The Mysteries of Udolpho, which Austen had gleefully satirised:

“If we take a look at the works of Mrs. Radcliffe, we can easily see what tempted the youthful Jane Austen to poke fun at them…[they were] enormous historical canvases splashed over with forests and beetling fortresses and dark crags in the Appennines.  Mrs. Radcliffe went in for immense casts of characters on a positively Shakespearian scale (she was in fact much influenced by Shakespeare for whom she had great admiration); she had stabbings and shootings, suicides and assassinations, immensely complicated family relationships, long-lost relatives in every possible connection, suggestions of incest, mysterious resemblances, and, besides all this, a large number of startling, apparently supernatural occurrences..”

 

From this we can see that these earlier writers had an equally powerful influence on Joan Aiken’s own work, and by setting her novel,  Go Saddle the Sea in a rip roaring Gothic world of her own imagination in 19th century Spain, and with a nod to Austen’s own parody, she could have the best of all worlds!

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Go Saddle the Sea 1

Go Saddle the Sea is the first of the three ‘Felix’ Novels in EBook editions in the UK

For more details visit the Joan Aiken page at Random House

or visit the Felix pages at The Wonderful World of Joan Aiken

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Bridle 2 -Pat Marriott

Joan Aiken’s Gothic imagination is wonderfully matched in this trilogy

by the illustrations of Pat Marriott

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Ghostly Visions – An Inspired Relationship

Ill Wind

Jan Pienkowski’s vision &  Joan Aiken’s story ‘An Ill Wind’  from ‘A Foot in the Grave’

Ill Windstory

Today sees the publication of an elegant new edition of Joan Aiken and Jan Pienkowski’s ghostly collaboration  A Foot in The Grave is coming out just in time for Hallowe’en… for those who enjoy all things haunting and mysterious here are Jan’s atmospheric illustrations and Joan’s eight extraordinary tales.

The partnership between Aiken and Pienkowski has produced some memorable books, A Necklace of Raindrops,  which many remember as their favourite children’s book, or The Kingdom under the Sea which won the Kate Greenaway Medal. This collection of spooky stories for older readers was suggested by Jan, knowing Joan’s wild imagination would be fired by his series of images, and she certainly rose to the challenge. The Kirkus review said: ‘ One of Britain’s most innovative illustrators provides inspiration for a skilled fantasy writer…luminous, tantalizing…menacing…mysterious’

See Joan’s books at the Random House Joan Aiken page

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Favourite Aiken Moments contd. – Is in (snowy!) Humberland

‘Twelve layers thick of stiff,rolled-up rug, all glued together with fried potatoes, formed a wrap that was solid as oakwood. And when at last her head did begin to emerge from its carpet-collar, Is found that she had nothing much to be thankful for.  Instead of being pressed against a filthy carpet, her cheek now lay on stony, gritty, freezing ground.  It was dark, with no moon or stars to give comfort; on the contrary, a fine thick snow was falling, blowing like dust into the folds of the rug.

“Snow!” said Is in disgust. Why it ain’t but November!”

But then she recalled how far north she had travelled, into a colder darker part of the country. Humberland.

….A massive stone building loomed up on her right…a church…somewhere she had heard that church doors are always open. The first door she approached had a white paper on it, just visible, and writing on the paper: PLEASE ENTER BY SOUTH DOOR.

There! she could hear Penny’s triumphant voice: now do you see how handy it is to be able to read? Yus, and which way is south? Is retorted, but she acknowledged that if she kept walking round the church she must in the end find the south door.’

Humberland

Is (Underground) Wolves Chronicles

Illustration by Pat Marriott

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