Imagine the moment when a copy of Joan Aiken’s own first published book arrived in the post – what if it was yours?
At the time, in 1953, despite her dreams of honour and glory (and all the hard work!) she was paid the princely sum of £25.00…but that didn’t discourage her from going on to write over one hundred more!
Were you one of the ‘dedicated semi-lunatics’ (as she called fellow children’s writers!) who entered our competition to write a new children’s book? Joan Aiken knew this was no easy task; she herself had long dreamed of publishing a book, and she understood it took hard work and persistence, (and some of the lunatic self-belief she describes above!) before she would finally see the arrival of her own first published copy.
We were thrilled by the enormous response to our search for a new writer to follow in her footsteps, for a story inspired by Joan Aiken’s own classic children’s books and her dedication to writing for what she considered the most demanding audience – children – who may form a lifetime’s habit of reading pleasure having been inspired by your story!
Julia Churchill, Joan’s agent at A.M.Heath, and Lizza Aiken, Joan’s daughter, chose a shortlist of six, and then had the incredibly difficult task of picking a final winner. The entries ranged from magical adventures, to gritty modern dramas, some were set in exotic landscapes, some in the past or in futuristic societies; they were written in language that ranged from poetic flights of the imagination, to the gritty dialogue of 21st century urban life.
And the winner we chose – a joyfully inventive and gripping adventure which encompassed many of these alternative realities – was Harklights, by Tim Tilley.
The setting, like one of Joan Aiken’s own Wolves Chronicles could be sometime in the Victorian past, but also conjures up the possible future with the threat of a disaster that affects us all, the loss of our green world through greed and the exploitation of the miraculous gifts of nature – the loss of our old shared world of myth, magic, and natural mystery.
Wick, the orphan hero of Harklights, escapes the brutal mechanised world ( an Aikenesque orphanage!) and finds a family home and a life in the forest, where he has a chance to stop the terrible destruction of the Natural World. He is able to go back into a society that has almost been lost – a world of magic, where there is love between all creatures, where children are cherished, not abandoned as he was – but then he must also return and confront the monstrous machinery which is mercilessly eating it all up…
What are the important elements in a children’s book that make it a lasting favourite? Katherine Rundell said about Joan Aiken’s writing that she excelled in three main areas that appeal particularly to children:
“Love, peril, and food…she writes all three with an insight and grace that has rarely been rivalled.”
There were some marvellous examples of all of these in our shortlist – Tim Tilley”s hero Wick experiences the first real food of his lifetime – a breakfast of forest mushrooms and eggs – utterly mouth-watering, even if the size of the portion is so tiny! Caroline Murphy’s moving story about fractured families, The Truth about Chickens produced some wonderful comfort food to cheer a lonely boy; in The Wild Way Home Sophie Kirtley wrote beautifully about family love, and our instinctive urge to protect the young and innocent; Nizrana Farook created a powerful story in a landscape drawing on her native Sri Lanka, and feisty characters with their own special charm and spark, who confront deadly peril in The Girl Who Stole an Elephant. Susan Bailey and Nicola Penfold showed great confidence and sympathy in their handling of lonely isolated children and their yearning for fulfilment, in Snow Foal and Where the World Turns Wild, where nature also plays a healing role.
Joan Aiken was a gifted artist, and often sketched while brooding on a book – as in her drawing of the dish of mushrooms above. Like Tim Tilley she included sample illustrations with her submission of that first book – All You’ve Ever Wanted – here is one of them where a cat called Walrus taunts an enchanted frozen cuckoo! Although these were gently turned down by the publisher, who said blue ink would be a little difficult to reproduce, and that they did have their own illustrators, I felt she would have appreciated Sophie Kirtley’s visual imagination and ‘multi media’ presentation which we thought was very vivid. Nizrana Farook painted a wild and beautiful world with words, and a heroine who was as determined as Dido Twite, and Tim’s illustrations were so speaking that they form an important part of his début publication which has now been beautifully produced by the publishers Usborne – definitely a delight to discover on your doormat!
All in all, running the competition was a fantastic experience, and we were proud to have encouraged so many of you to send in your stories – we wish you all success in the future, and would just remind you not to give up – writing for children is a serious vocation, and once the bug has bitten, it can bring a lifetime of pleasure for the writer as well as the reader!
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and discover all the books that she went on to publish!