Joan Aiken asks: Who should write for children, and what should they write?

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Can anyone write a book for children? Joan Aiken took her work very seriously, and was often asked to speak about it. A series of talks she gave was eventually published as a heartfelt guide to ‘The Way to write for Children’ and has inspired new writers ever since. As she was aware, this particular field was a tempting market for all comers:

Writing for Ch.1

Lately there has been a good deal in the press about the current vogue for celebrity publishing, and perhaps given the healthy state of the children’s book industry and the number of excellent new writers appearing in recent years it does look tempting – surely anyone could toss off a book for children? Joan Aiken had fun imagining a black hooded Grand Inquisition checking the motives of the would be author – and some of the answers that would receive ‘Nul Points’:  ‘I have read a few, anyone could do it, and it shouldn’t take long, they’re quite short, I’ve read surveys about what sells, there’s a formula, you need a brown furry talking vegetarian animal, with an alliterative name like Walter the Wombat…’

Finally a man comes in with an idea about a rusty bridge, and a trainee tea-taster, and an old lady, and a stolen piece of turf…or how hard it is to sell your soul to the devil if he doesn’t want to buy it?

Writing for Ch.2

She could be pretty crotchety, but then she had spent years answering letters from children, or talking to them in schools, and had a pretty good idea what would satisfy or nourish, or what could turn them off for life. She was also strongly in touch with her own childhood self – the inner reader who had always been looking for answers in books.

Writing for Ch.3

As she also said, your book could be the one that starts a child reading, or the only one they possess – what kind of a power is that? Surely you should use it wisely.

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Read more about  Joan Aiken’s The Way to Write for Children here

Illustration by Quentin Blake for Joan Aiken’s Mortimer’s Portrait on Glass

Originally read on Jackanory by Bernard Cribbins

 

 

 

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The Joan Aiken Future Classics Prize – We have a winner!

AYEWcopy post

An exciting moment!  A rare copy of Joan Aiken’s own first book arrives in the post…

Were you one of the ‘dedicated semi-lunatics’ who entered our competition to write a new children’s book?  Joan Aiken knew this was no easy task; she had long dreamed of publishing a book, and she understood it would take hard work and persistence, (and some of the lunatic self-belief she describes above!) before she would finally see the arrival of her own first published copy.

We were thrilled by the enormous response to our search for a new writer to follow in her footsteps, and for a story inspired by Joan Aiken’s classic children’s books and her  dedication to writing for what she considered the most demanding audience – children – who may form a lifetime’s habit of reading pleasure having been inspired by your story!

Julia Churchill, Joan’s agent at A.M.Heath, and Lizza Aiken, Joan’s daughter, finally came up with a shortlist of six, and then had the incredibly difficult task of picking a final winner. The entries ranged from magical adventures, to gritty modern dramas, some were set in exotic landscapes, some in the past or in futuristic societies; they were written in language that ranged from poetic flights of the imagination to the harsher dialogue of 21st century urban life.

And the winner  we chose – a joyfully inventive and gripping adventure which encompassed many of these alternative realities – is Harklights, by Tim Ellis.

The setting, like one of Joan Aiken’s own Wolves Chronicles could be sometime in the past, but also speaks of the possible future disaster that affects us all, the loss of our green world through greed and the exploitation of the miraculous gifts of nature – our old shared world of myth, magic, and mystery.

Wick, the orphan hero, escapes the brutal mechanised world (and an Aikenesque orphanage!) and finds a family home and a life in the forest, where he has a chance to stop the terrible destruction.  He is able to go back into a society that has almost been lost – a world of magic, where there is love between all creatures, where children are cherished, not abandoned as he was – but then he must also return and confront the monstrous machinery which is mercilessly eating it all up…

mushrooms

Katherine Rundell said about Joan Aiken’s writing that she excels in three main areas that appeal particularly to children: “love, peril, and food…she writes all three with an insight and grace that has rarely been rivalled.”

There were some marvellous examples of all of these in our shortlist – Tim Ellis’s hero Wick experiences the first real food of his lifetime – a breakfast of forest mushrooms and eggs – utterly mouth-watering, even if the size of the portion is a little disappointing! Caroline Murphy’s moving story about fractured families, The Truth about Chickens produced some wonderful comfort food to cheer a lonely boy; in Hartboy Sophie Kirtley wrote beautifully about family love, and our instinctive urge to protect the young and innocent; Nizrana Farook created a powerful story in a landscape drawing on her native Sri Lanka, and feisty characters with their own special charm and spark, who confront deadly peril in The Thief of Serendib. Susan Bailey-Sillick and Nicola Penfold showed great confidence and sympathy in their handling of lonely isolated children and their yearning for fulfilment, in Snow Foal and Return to The Wild, where nature also plays a healing role. 

AYEW JA Frozen Cuckoo

Joan Aiken was a gifted artist, that is her drawing of mushrooms above, and she even included sample illustrations with her submission of the stories for All You’ve Ever Wanted – here a cat called Walrus taunts a frozen cuckoo!  Although these were gently turned down by the publisher, who said blue ink would be a little difficult to reproduce, and that they did have their own illustrators,  I felt she would have appreciated Sophie Kirtley’s visual imagination and ‘multi media’ presentation which we thought was very vivid. Nizrana Farook painted a wild and beautiful world with words, and a heroine who was as determined as Dido Twite – we would love to know how her story ends?

All in all, running this competition has been a fantastic experience, and we are proud to have encouraged so many of you to bring out your stories – we wish you all success in the future, and would just remind you not to give up – writing for children is a serious vocation, and once the bug has bitten, it can bring a lifetime of pleasure for the writer as well as the reader!

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Original post about The Joan Aiken Future classics Prize

 

 

 

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Joan Aiken on the Joy of Writing…

Even better than reading – getting lost in your own book!

How to get there?  Thoughts from a master escapist…

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More thoughts on writing from Joan Aiken in

The Way to Write for Children

See also The Joan Aiken Future Classics Prize 

Now being offered for a new Children’s novel

Closing date July 31st 2017

 

 

Writer’s Block….. no joke!

Writer's Blockpic

Joan Aiken was a skilled artist and produced some beautiful pastel drawings while brooding over her plots, some of them can be seen here, but this little doodle on the back of an envelope suggests a rather different, very un-fertile state of mind, brought about by the distractions and endless pressures of daily life (Gas in barn? applesauce?) and recalls the dreadful to-do list that accumulates unbearably when you have something you would really like to be getting on with, but can’t let the ‘shoulds’ go – or in Joan’s case, the ‘oughts’.

Here’s a selection from one of her many TO DO lists – a very personal expression of her state of mind, and by no means the whole of it, emerging furiously from her typewriter!

To Do list

And she goes on: “Somehow one’s crazy conscience always relegates the really important job – the getting on with one’s book – to the last, as if it were a piece of self-indulgence.”

Although she produced an enormous range of different work – plays, short stories, articles and introductions, poems and talks – there would always be, seething somewhere at the back of her mind, the current repository of all the hopes and dreams, the great obsession that called itself  ‘The Book.’

In her adult books you can sometimes hear Joan’s personal voice quite clearly,  she put a good deal of herself into some of her heroines, as for example the heroine of The Ribs of Death.   Aulis, or Tuesday as she is also known, who is described by one reviewer as ‘a feckless sophisticated, cheerful, courageous little tramp of a girl’ but she  is also the victim of a major case of writer’s block, having had extraordinary beginner’s luck with a risqué experimental novel she wrote at the age of seventeen and been unable to produce anything since that her publishers would even consider.  Not only is she oppressed by her publisher’s expectation that she will obligingly produce half a dozen more in the same vein, but she is also forced to deal with the snide comments of people who assume that tossing off a novel is something any fool can do in their spare time – and in this case it is the ice cold – or in Tuesday’s mind ‘cool as aspic’ – Doctor Eleanor who needles her mercilessly on one of their first meetings:

Writer's Block

This is clearly drawn from  her own experience, but despite the cold fear it expresses, Joan Aiken was also familiar enough with her craft to have learned how to avoid coming to a total standstill in her writing, by having more than one string to her bow, and as the list up above suggests, she always managed to keep several projects in hand in case one of them stalled.

Having, like her heroine. also been published at the early age of seventeen, and managed for most of her life to earn a living from her work, she had obviously learned how to strike a balance between the dreaded ‘to do’ list and the project that was really close to her heart – writing The BOOK!

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Have you heard about The Joan Aiken Future Classics Prize?

Find entry details here

Are you managing to press on with your own book despite current distractions?

Perhaps it will be the saving grace that whisks you away to a world of your own…

 

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