Joan Aiken was a skilled artist and produced some beautiful pastel drawings while brooding over her plots, some of them can be seen here, but this little doodle on the back of an envelope suggests a rather different, very un-fertile state of mind, brought about by the distractions and endless pressures of daily life (Gas in barn? applesauce?) and recalls the dreadful to-do list that accumulates unbearably when you have something you would really like to be getting on with, but can’t let the ‘shoulds’ go – or in Joan’s case, the ‘oughts’.
Here’s a selection from one of her many TO DO lists – a very personal expression of her state of mind, and by no means the whole of it, emerging furiously from her typewriter!
And she goes on: “Somehow one’s crazy conscience always relegates the really important job – the getting on with one’s book – to the last, as if it were a piece of self-indulgence.”
Although she produced an enormous range of different work – plays, short stories, articles and introductions, poems and talks – there would always be, seething somewhere at the back of her mind, the current repository of all the hopes and dreams, the great obsession that called itself ‘The Book.’
In her adult books you can sometimes hear Joan’s personal voice quite clearly, she put a good deal of herself into some of her heroines, as for example the heroine of The Ribs of Death. Aulis, or Tuesday as she is also known, who is described by one reviewer as ‘a feckless sophisticated, cheerful, courageous little tramp of a girl’ but she is also the victim of a major case of writer’s block, having had extraordinary beginner’s luck with a risqué experimental novel she wrote at the age of seventeen and been unable to produce anything since that her publishers would even consider. Not only is she oppressed by her publisher’s expectation that she will obligingly produce half a dozen more in the same vein, but she is also forced to deal with the snide comments of people who assume that tossing off a novel is something any fool can do in their spare time – and in this case it is the ice cold – or in Tuesday’s mind ‘cool as aspic’ – Doctor Eleanor who needles her mercilessly on one of their first meetings:
This is clearly drawn from her own experience, but despite the cold fear it expresses, Joan Aiken was also familiar enough with her craft to have learned how to avoid coming to a total standstill in her writing, by having more than one string to her bow, and as the list up above suggests, she always managed to keep several projects in hand in case one of them stalled.
Having, like her heroine. also been published at the early age of seventeen, and managed for most of her life to earn a living from her work, she had obviously learned how to strike a balance between the dreaded ‘to do’ list and the project that was really close to her heart – writing The BOOK!
Have you heard about The Joan Aiken Future Classics Prize 2019?
Find entry details here
Are you managing to press on with your own book despite current distractions?
Perhaps it will be the saving grace that whisks you away to a world of your own…