Utopian publisher seeks humane thrillers…from Joan Aiken of course!

Gollancz

A thriller with humanity – a rare commodity nowadays perhaps – let alone a utopian publisher?  This charming letter from Victor Gollancz to Joan Aiken written over 50 years ago shows the degree of warmth and encouragement she received from him in the early years of her career, and exemplifies the kind of devoted following she was to gather throughout her long writing life. (And no, she didn’t live in The White House, it was an old pub called The White Hart, but in later years she got letters addressed to White Hot house, the White Hut, and more…enough to give a writer ideas!)

Her first thriller – The Silence of Herondale – had earned glowing reviews for the writer and publisher, and only a couple of months beforehand  Gollancz had written to her saying:

Gollancz 2

Of course she already had another one up her sleeve; in fact her imagination was so fertile that from then on, she went on to produce as many as three books a year for adults and children in every possible genre.

Her next highly entertaining thriller makes gleeful use of her experience a year or so earlier of working for an advertising agency in Mayfair: Joan Aiken produced a fantastic follow up – The Trouble with Product X – and I’m sincerely grateful to Mrs Lamb of London for her five star review and this terrific synopsis – spoilers not a problem, there’s so much more…

  “This thriller starts, as many Joan Aiken books do, with a heartbroken and misused young woman trying to move on with her life. This is Martha Gilroy, who works at a London advertising agency, writing snappy copy to sell soup and dishwashers.

When a new client brings them an evocative new perfume, she unwisely suggests as a shooting location a remote Cornish castle where she spent her honeymoon with her husband before he had a nervous breakdown and left her. When the crew go down there and start working on the campaign- using Cara, the beautiful young Italian wife of the client as a model- problems start. The client doesn’t seem to be able to get the formula of the perfume quite right, the monks who live nearby oppose the filming, tins of soup explode with deadly force, a poisonous spider is mailed as a mysterious gift, a wealthy Sheik keeps dragging people out to the disco in the evenings, a baby is kidnapped, Martha’s friend Tom seems altogether too interested in Cara, the weather is dodgy, and who is the mysterious cowled monk who looks so familiar to Martha?

Thrilling sequences include a creepy night-time chase around the perfume factory surrounded by the scent of violets, a gruelling escape to the monastery across the Cornish moors, and of course the patented Aiken Big Dramatic Finish where the heroine battles it out with the eeevil bad guy.

This is one of her best and most fun novels.”

Readers who grew up on Joan Aiken’s Wolves Chronicles are just discovering these wonderfully exciting Gothics for grown ups – as here:

“It was only THIS WEEK that I realised she’d written books for adults as well. Naturally, I’m hooked once again. “Trouble with Product X” is beautifully written – Aiken could describe a person or landscape completely in just a few words – and crammed with twists in true murder mystery style. It may have been written in days of yore but it packs as much of a punch as anything produced today. Awesome.”

Product X cover

Also published in the USA with the tantalising title Beware of the Bouquet

and this fantastic cover

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No surprise then that Orion, the modern incarnation of that first publisher has now brought these novels out again as EBooks

Go to Orion’s S.F.Gateway site – to read more about Joan Aiken’s  early thrillers

Read more about Joan Aiken’s sixties gothics here

1st three Silence,Sunday Product X

How to keep the Reader on the edge of his Seat? Joan Aiken writes suspense…

Silence

This January sees the reissue of Joan Aiken’s first adult thriller,  published two years after her best known children’s novel, The Wolves of Willoughby Chase, which garnered some impressive reviews at the time:

Silence review

The Silence of Herondale  published in 1964,  set the style for another dozen or so adult novels which were to follow, alternating with her now much better known children’s books.  Initially published by Gollancz in their famous Yellow Jacket editions, the books were covered in remarkable reviews, like this one which soon earned her a devoted following, including many fellow crime writers. Now, more than fifty years after its first appearance, this, and the next five suspense thrillers she wrote are being re-issued by the Gollancz parent company Orion, and will hopefully have you reaching for the loofah…!

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Joan Aiken was sometimes accused of throwing absolutely everything into the page- turning plots of her novels. Her fertile mind used them as a backbone for all the ideas that were currently absorbing her in her daily world – music, philosophy, landscapes, travel, people, politics, art, and of course, the work of other writers. This is not surprising when you look at some of her literary influences, such as John Masefield who could also enjoy endless digressions into anything that took his fancy – whether it was church politics, ancient history, or juicy details about murder mysteries in the local paper – while his hero was on the way to buy muffins for tea. Another of her literary heroes, Charles Dickens, could be just as easily distracted from his main plotline since he had the occupational hazard of writing his plots serially, which gave him plenty of opportunity to totally change his ideas as better ones came along.

Among the writers that Joan Aiken admired, self-discipline was not the main order of the day, so much as an ability to enrich a tale by adding whatever embroidery would serve to bend the ear of the listener. She was often compared to Mary Stewart, who was writing her own thrillers at the time, and who used a similar Romantic or Gothic suspense format while also making full use of a wide literary background and extensive education; this and the use of exotic settings added enormously to the appeal of her books.

Aiken’s constantly active imagination, her quirky inventiveness, and imaginative recall of her own travels and journeys enabled her to blend all the available ingredients into a continual inventive tapestry of ‘What if…?’ without in any way detracting from the headlong progress of her story. Despite her magpie eye,  Joan Aiken always maintained a firm grip on the plot, and was enormously skilled at keeping the reader on the edge of his seat…

Conversely, if she arrived rather too rapidly at her conclusion and found she had too many characters to deal with, she developed a rather cavalier habit of polishing them off in whatever speedy manner came to hand –  automatic hedge clippers, kitchen beater attachments, exploding soup cans or spa-room steam cabinets. Having created some horribly seedy or demented villains, she would then show no mercy in dispatching them swiftly at the end; she could be gleefully ghoulish, but never gory – it was the lead-up to the climax she enjoyed, and suspense became her speciality….

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Gollancz cover

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And Joan Aiken’s heroines? They were always a version of Joan herself of course, and would be heartlessly thrown in at the deep end. In the true Gothic manner of hapless heroines, they would become embroiled in a series of events not of their own making, but were usually possessed of many stalwart characteristics – not least a literary education – if not always endowed with obvious physical charms. Often they were, as she was herself, small, slightly gap toothed, and red haired, but they were generally extremely enterprising, physically intrepid and fearless to the end, and would emerge from their adventures breathless but undaunted. They were not necessarily rewarded with romance, and on the odd occasion did come to a sad end themselves, but shocked remonstrations from readers discouraged her from allowing this to happen too often.

What comes across most clearly is her impulse to share thoughts and experiences from her own life; as for example, with the agonising but often hysterical day to day business of living with a slightly dotty old lady, or the frequently curious requirements of a job working in an advertising agency, or even the alarming and humiliating possibilities of having treatments in a health spa – all was grist to her mill and became sympathetic background or even foreground, for the novel currently in her imagination. For those who knew her, there was also the dubious pleasure of discovering (albeit disguised!) episodes from their own lives in her books; but when these were re-told with her usual warmth and humour, her intelligence and added insight, one could almost be grateful to have shared a good story with her, and even more so not to have had one’s own experience end in the hair-raising way that she had gone on to imagine it….

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Six of Joan Aiken’s thrillers are now being reissued by Orion

1st three Silence,Sunday Product X

 

The Silence of Herondale will be re-issued in paperback in January 2020

See a full list of Joan Aiken’s suspense novels here

See more of Joan’s thrillers now available as E Books at Orion’s The Murder Room

More Mortimer! Joan Aiken’s hilarious hero is back – just in time for Christmas

 

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Perfect for Christmas, and for (N)evermore?

  Arabel and Mortimer are back in two bumper editions of Joan Aiken’s crazy tales with all the wonderful Quentin Blake illustrations.

First seen on Jackanory read by the wonderful Bernard Cribbins, these stories have not lost any of their humour over the years, but you may have to explain a few odd things to younger readers! Joan Aiken couldn’t resist giving the Joneses some of the 70’s craziest gadgets  for Mortimer to wreak havoc with in their house in Rumbury town London NW3-and-a-half…how about some of these for an alarming Christmas?

When dreadful spoilt cousin Annie comes to stay, Joan Aiken supplies her with radio-controlled tiddlywinks, a solar powered skateboard and a computer guitar that makes up its own music – she was ahead of her time, but not by very much! And of course these terrible toys soon lead to trouble:

computer toys

Mort & the toys

You can imagine what happens next!

Struggling with a lot of Christmas baking?  Mrs Jones – while preparing to entertain the Rumbury Ladies’ Kitchen Club to a coffee morning, and frantically busy trying to make an enormous number of prawn fancies and iced macaroons, has seen a mouse!!! And not just any mouse, but the Advance guard and A.A. Scout for an army of starving mice from Cantilever Green who are desperately looking for pastures new, and who has been lured into the Jones kitchen by the delightful smell of all those macaroons:

4 custard tart5 Mrs J

7 Mrs Catchpenny

So Arabel is sent to Mrs Catchpenny’s corner shop to borrow Archibald the cat, known locally as a former cracksman’s mog, and of course Mortimer goes along for the ride. The combination in Mrs Jones’s kitchen of Archibald, Scout F stroke B7, a fantastic amount of ill-fated ‘cordon-blue’ cookery (made with the help of all the Jones household’s trouble saving electrical equipment) and Mortimer, makes a great tale… oh yes, and also there is a certain Professor Glibchick desperate to record Mortimer making his famous one word pronouncement…except this time Mortimer says Nothing.

But when Mortimer confronts Archibald, who is by now happily well fed (he opened the larder door and found the prawns, then slept on the trays of warm macaroons in the airing cupboard and is now covered in crushed macaroon, clotted cream and feathers) he is entranced, and thinking he is a giant owl, starts pursuing him up the stairs:

The game M & Arch

Did we know Mortimer had a mother? Nevermore!

This is a mere ‘taster’ of the delights on offer in this wonderful long lost collection, which also includes Mortimer’s Cross and the fantastic Mortimer’s Portrait on Glass, where Mortimer meets an ancient ancestor in Ireland.  I have to confess these stories still make me laugh  out loud, but these days, something we absolutely need is a bit of craziness….

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Puffin editions also have added Extras –  Like Do You Remember…?

EXTRA - 70's Inventions

and Much more!

You can still catch some of the Bernard Cribbins Jackanory Episodes on You Tube

Jackanory Portrait

>   >   >   *   <   <   <

Find  Both the Puffin collections here

M&amp;A Xmas mini holly

 

 

 

 

 

Joan Aiken for Grown Ups…!

Herondale small

“It was dusk, winter dusk – snow lay white and shining over the pleated hills…”  Does this sound familiar? The opening lines of The Wolves of Willoughby Chase could almost describe a scene from Joan Aiken’s first adult novel, The Silence of Herondale,  published just two years after her famous children’s classic.  This novel, also set in a snowy landscape, draws on her Gothic imagination and ability to conjure scenes of suspense and sinister villains, with thrilling chases across wild snowy moors; but this time the story is written for grown ups, so will there be a happy ending?

In the pre-feminist 1960’s women’s struggle for independence had barely started, but in Joan Aiken’s novels, her courageous and free thinking heroines were based on earlier models from her reading of Jane Austen or the Brontes, or indeed on her own experience of being left a young widow with two children, and an urgent need to earn a living for herself and her family.  In one of Joan Aiken’s favourites,  Northanger Abbey,  Jane Austen had written a parody of the Gothic Novels she was reading in her day, such as Mrs. Radcliffe’s best-seller, The Mysteries of Udolpho, where hapless heroines found themselves in haunted castles threatened by unknown horrors.

Jane Austen’s juvenile skit, Love and Freindship, written in 1790 when she was fourteen, also poked fun at the Gothic school whose heroines, like Emily in Udolpho, faint at every emergency, both major and minor.  Sophia, one of the heroines of Love & Freindship, when dying, advises her friend Laura: “Run mad as often as you chuse; but do not faint.”  Over-indulgence in fainting  brought on pneumonia, which finished her off!

Aiken writing her 1960’s Gothic Romance was just as tongue in cheek! Her poor heroine, having arrived by night at a remote farmhouse on the Yorkshire moors, has to start up the generator to get the lights on (no shrinking violet she!) but the scene is written almost as a comedy, with a hysterical guard dog throttling himself at the end of his chain while our heroine wrestles with the machinery. Nevertheless all the trappings of romance are there – the heroine, Deborah has mysteriously lost all her possessions in a burglary, her family have all disappeared, the employer who takes her on as a governess to a young prodigy, almost immediately establishes a mysterious hold over her with veiled threats and blackmail, and at first sight it is impossible to tell whether the hero is the villain, or vice versa…

A trademark of Aiken’s writing, familiar to all who have been brought up on her books for children, is that she never writes down to her audience; her language is rich and often riotous, her settings exotic and extraordinary, and her plots absolutely bursting with action and excitement, so that her children’s books appeal just as much to adults, who seem to re-read them with pleasure throughout their lives. So what is the difference in her writing for adults – not a great deal perhaps?  In The Way to Write for Children – a guide commissioned by the Arvon Writers’ Foundation – she says:

“Children have tough moral fibre. They can surmount sadness and misfortune in fiction especially if it is on a grand heroic scale…it may help inoculate them against the real thing.  But let it not be total tragedy, your ending must show some hope for the future.”

So, in her writing for adults, is the chief difference that the book need not end happily?

You will have to read on and see…

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An early reviewer wrote:

” After a long life reading thrillers…I tend to turn impatiently to the end. Not so in the case of The Silence of Herondale – rather than wanting to rush ahead and discover the ending…I wanted to spin out to the last possible moment the pleasure of that discovery.”

 

The Murder Room at Orion are re-issuing six early thrillers  by Joan Aiken.

1st three Silence,Sunday Product X

All EBook Titles will be available with this dramatic new look

The Silence of Herondale is reissued in Paperback January 2020

Read more about all her Adult novels here.