Goya’s haunting picture and its resonant title above, was often taken as the Spanish painter’s manifesto, and was the inspiration for Joan Aiken’s science fiction fantasy The Cockatrice Boys. Her magpie mind was ever alert to the news of the day, about scientific discoveries or impending disasters, and she followed the work of other artists and writers, past and present, who shared her concern about our ever changing world, and our ability to keep up with it.
Goya’s picture shows the sleeping artist, unaware that he is surrounded by creatures of the dark, as a commentary on the corrupt state of his country before the Enlightenment of the Eighteenth century. Joan Aiken took the idea, and the imagery of the picture, and used the theme to write about one of the disasters of her day – the sensational discovery of the hole in the ozone layer above earth, nearly twenty-five years ago.
In her fantasy novel, it is the dereliction of human awareness that creates this threat to life on our planet and leads to an invasion of monsters – the Cockatrices of her story – who are descending on the earth through the ozone hole as the embodiment of evil, the personification of all our weakest impulses.
These days the popularity of the Dystopian novel shows that there is an ongoing will to imagine and thereby possibly prevent the destructive forces of dissonant societies who are carelessly, or even consciously depleting the riches of the earth and destroying the future for our children. Joan Aiken, like Goya, and the current breed of fantasy writers, believed that the power of the imagination, used alongside reason and enlightenment, could save us from our own folly, or even the power of evil.
But she also believed that the opposite was true – that our failure to remain alert to dark forces, in reality, as much as in our imagination – falling into Goya’s ‘Sleep of Reason’ could be equally harmful.
Sauna, the young heroine of the novel, is sent on the train with the Cockatrice Boys, a raggle taggle army of survivors, to fight the invaders because of her mind-reading abilities. Here, she asks the archbishop, Dr Wren, whether there has always been evil:
It is up to all of us to maintain that delicate balance –
not lend our power to forces created by greed and wickedness
all we have to do is stay awake….
Joan Aiken’s own manifesto, The Way to Write for Children is a guide to the importance of children’s writing, in which she emphasises the need for every child to have access to books, stories and myths to stimulate their imagination. She writes:
“A myth or fairy tale interprets and resolves the contradictions which the child sees all around him, and gives him confidence in his power to deal with reality. We don’t have angels and devils any more, but we are still stuck with good and evil.”